Physics can make the world seem weird, and that’s pretty fun. Some notable popular science writers (see Hawking, Stephen and Kaku, Michio) have concocted some pretty thrilling science-lite confections out of relativity- and quantum-related weirdness.

It provides a good avenue for developing a somewhat superficial appreciation for science, does this physics weirdness. And I should know. I’ve flitted around the edges of actual science for much of my life — intermittently overwhelmed, bored and even depressed by it, but never able to completely let it go. So, I’ve gone after a writing and editing career, but I’ve mostly worked in several forms of science communication. I dropped biology for English, but kept gravitating (so to speak) toward literary intersections with science. All the way up until my MA thesis, which was a look at technology and religion in Rushdie. It was a probably pretty terrible look at technology and religion in Rushdie, but they let me have the degree.

But I still remember those early encounters with the weirdness of physics, and how they made the science seem like something worth devoting your life to. Reality is like nothing you suspected, these theories born of squiggly maths said. The everyday world is a fascinating realm of ghosts and apparitions, and what’s even better, it is on good authority that the world is this way.

Suddenly, the authority figures, professors and scientists, are slipping you drugs.

I remember clearly one such experience of the weirding of the world, and it didn’t even come from Hawking or from any of his brilliant ilk. It didn’t even come from the far-out fields of advanced physics. Just basic particle physics in a high school textbook.

In physics, we covered the structure of the atom, of course. You remember: that solar-system image of an electron doing its 1950s swing around the central cherry of the nucleus. Here we came upon the factoid that an atom is mostly empty space. And I had a holy-shit moment.

It’s possible I imported that ‘neato science factoid’ from a pop-sci book. It sounds more like it would come from them. But, nevertheless, it was in Mr. Dick Winder’s physics class. I looked across at the black surface of the science class tabletop, and I imagined an illusion — a ghost, tricking us with its reflection of light beams, but a nearly empty network of mist and cobwebs behind that.

Sure, it would cut your forehead, and concuss your brain should you slip on a sheet of notebook paper and fall onto a corner of that table — but that was tantamount to an mirage. Just billions of electrons, spewing their force vectors forth into the aether. There was no THERE there. Or nearly so. These tables, these teenage limbs — mine scrawny, other kids’ muscular and capable of hurling footballs — just blobs of misty space.

We live in a Swiss Cheese universe, and you people are worried about the labels on your jeans?

That’s what the weird views of physics could mean to me as a, you might have guessed, nerdy and isolated teenager.

But I got immune to that mystery, eventually. Make it into college, and science dissolves into a slew of equations and figures. It’s a lot of memorization. I’m giving myself excuses. The truth is, actual science is hard. And I didn’t have the brain-stomach for it.

I’m studying science, real science, again — in an online bioinformatics program. It’s discipline, and sacrifice, and boredom, and tired brainwaves — and wagon-loads of self-doubt. Balanced, hopefully, by the conviction that this stuff matters.

So it can be good to be reminded of the goofy, enthralling, mystical side of pop-sci physics. Here’s an example of that, from the Smithsonian: the universe as a hologram, the universe as a computer simulation. I read books about these flights of fancy when I was a younger nerd. It’s still good stuff.

In the year Two-Thousand-and-Whatever-Year-You-Are-Reading-This-In, Dr. Peter Macmuffin — mad scientist extraordinaire, super fan, ComicCon never-misser, and fully funded emeritus professor at the University of Wisconsin-Madison — realized the dream of perpetual, real-life fan fiction: He created the Fantasy Drive. And he just about ruined his pants when he realized what he’d done. With this device, Dr. MacMuffin could travel anywhere the minds of geeks and nerds had dreamed. This is his first adventure.

Dr. Peter MacMuffin created a Fantasy Drive, and stepped through it into the past.

Not the real past, mind you, but a fantasy version. Brooklyn: 1940. A street where a young Steve Rogers was getting bumrushed in an alley. Peter MacMuffin knew exactly where to find Steve Rogers, you see, because that is how the Fantasy Drive worked. It took you where you wanted to go.

And this is where Dr. Peter MacMuffin wanted to go first. To save, meet, and become super-best-buds with the future Captain America. They would drink old timey beers together. They would catch a Dodgers game. Dr. Peter MacMuffin would probably get Steve Rogers all kinds of laid.

Here was the alley where Steve Rogers — at this point, still a scrawny, 90-pound, hilariously rat-faced little fink of a guy — would vainly try to defend himself against some ’40s neighborhood toughs. This was it! This was the alley. Peter MacMuffin recognized it from the movie stills and the comics he had pored over. The Fantasy Drive had worked. It had worked! He was in Earth-199999, in December of 1940, on the corner of Hicks St. and Leaman Place, Brooklyn, New York, United States. Across the seas, the war against the Nazis and Emperor Hirohito waged. And, good Lord, Dr. MacMuffin thought — the Red Skull. The Red Skull himself was creating superweapons, in the flesh. (And bone. Red bone. Boner. Dr. MacMuffin had a boner.)

Peter MacMuffin flipped the collar of his long, thick trench coat (he had dressed himself in the style of the time before stepping through the Fantasy Drive, naturally), and strode down the alley. He could hear their voices already, harsh and Brooklyn-y and careening around within the stone and brick walls of the narrow passageway.

“Myeah, stay down, Rogers,” one of the toughs said. “Myeah.”

But puny little Steve Rogers would not stay down. Bullshit, he would fucking  stay down! This was the future Captain America! Peter MacMuffin thought. Like fuck he’d stay down! The little guy staggered up, grabbing a trash can lid. (Like in the movie! Peter MacMuffin thought.) “I can do this all day,” Rogers said. (Like in the movie! Peter MacMuffin thought.)

Dr. MacMuffin had come just in time. A second later, and Bucky (movie-Bucky, mind you) would have swaggered in and saved the day. All very nice and good, great, yeah, we all loved it, but this was Dr. MacMuffin’s show. Fuck some Bucky shit.

Peter MacMuffin threw back the tails of his trench coat and stood grandly, hands on hips. “Ahoy there, young neighborhood toughs,” he intoned. “Unhand Steve Rogers.”

All eyes turned to look. Scrawny Steve Rogers let the trash can shield (FORESHADOWING!) descend on his scrawny arm. The two neighborhood toughs turned slowly around, ready to spit or punch or yell, or whatever the situation required. “Who the gosh-darn are you?” one of them said.

“Myeah!?” the other one said.

“Dr. Peter MacMuffin,” Dr. Peter MacMuffin said. “Remember that name.”

As the two Brooklyn-y neighborhood toughs were kicking the shit out of him, Dr. Peter MacMuffin remembered that he did not have any fighting skills or any significant physical strength or any real plan beyond showing up and being at least bigger than puny, pre-Captain American Steve Rogers.

Here was the problem in his adventure.

In the end, Bucky (movie-Bucky), came and saved the day again (or still, or…whatever). Only this time, he saved the pretty goddamn-awful dinged up Dr. Peter MacMuffin, while puny Steve Rogers watched from the side, trash-can shield still in hand, wondering just who the hell this dude was.

On his way to the hospital in the neato 1940s ambulance, Dr. Peter MacMuffin realized he would need a different way to get close to Steve Rogers. Maybe he should learn some fighting skills? Step back through the Fantasy Drive and bulk up in the real world for a while before teleporting back for another go?

But that seemed like a lot of work. And, like, physical work. He might have to do warm-up stretches. No, Dr. Peter MacMuffin thought, as he faded in and out of unconsciousness due to the blunt-force trauma he had just endured: he would use his kick-ass science mind to do this right. He’d made the Fantasy Drive. He could make something for Captain Steve Rogers, too.

Of course. That was it. He’d goose the Super Soldier Serum.

“I’ll goose the Super Soldier Serum!” he shouted. But the EMTs did not understand what he was talking about. Because they did not know what a Super Soldier Serum was, and because Dr. Peter MacMuffin’s lips were nearly swollen shut and he’d lost five teeth. So, he basically talked like a man eating 15 marshmallows.

But in his mind, it was triumphant.

But the EMTs put him down as potentially mentally disabled.

Tune in next time, when Dr. Peter MacMuffin returns for ‘Fantasy Drive: Peter MacMuffin Gooses Captain America.’ Same Bat-place. And you can read it at whatever time is most convenient for you.

We’re in debt.

Yes, I know — the United States owes its balls to China. But I don’t mean that debt.

Yes, I know — your college education turned you into a lifelong indentured servant to the bank. But I don’t mean that debt, either.

Yes, I know — predatory loans have hung mortgage-albatrosses around the necks of the un-bailed-out. But I don’t mean that debt either.

We’re in ecological debt, too. This is much more unfortunate, because here we’re not just dealing with numbers sliding around on some investment banker’s screen. This is not the fiction of currency, in other words — it’s real-world natural resources. We’re using the Earth itself, earlier and earlier each year.

As a planet, as of today, we have already spent all of the Earth’s resources for the year. And, in case you have forgotten, it’s still summer. Called “Earth Overshoot Day,” Aug. 19 marks the day on which we’ve used all the resources the Earth can produce in a year.

If you’re wondering why all commerce and industry have not ground to a halt, it is because we do not simply use what the Earth produces in a year for that year. (If only.) We’ve been mining the Earth’s historically produced resources for generations. Mother Nature had billions of years to churn out biological and mineral goodies before we hairless apes came up with first agriculture and then industry. So, we’ve largely treated the Earth as an infinite resource. You can understand the mistake: You “arrive” on the scene with resource needs/desires, and start chipping away at billions of years of production, it feels like that shit’s just going to keep on keepin’ on.

Somewhere along the line, however, modern humans learned about scarcity. Even industrialized humans figured this out. But the United States still has a problem, collectively, wrapping its Mountain Dew-addled grey matter around the idea of ecological debt.

Again, unsurprising. As a nation, we’re clearly not good on debt or long-term-planning-type things. We tend to treat plastic like a bottomless cup of hot steaming free money, with average U.S. credit card debt at over $15K per household (!). More broadly, people in the U.S. are more likely to cast shade on climate-change claims, with one of the two major political parties routinely pushing for more drilling — because there’s always more to get.

That makes sense. At a smaller scale, the colonization of the American landmass recapitulated the appearance of agricultural and industrial societies on a 4.5-billion-year-furnished planet. For people in the pre-United States and early United States, here was a wonderland of forests, minerals, farmable land and other resources that had barely been exploited.

I recently interviewed a West Virginia agronomist for an article, and he talked about how early colonizers and U.S. pioneers dined on 100s of years of forest growth. The U.S. land mass, from sea to shining sea, had pumped centuries of photosynthetic industry into miles of free wood.  It seemed like a free lunch. An Olive Garden never-ending-pasta-bowl of old-growth forest, if you will.

Nowadays, by contrast, U.S. loggers nibble at a mere 70 years or so of arboreal growth.

But that feeling, that the United States is a land of Olive Gardenian plenitude, remains with us. It is the, ironically, “conservative” position, to believe that you can just keep drilling. Conservative, because it harkens back to America’s early glory, when we were young and the top soil went down for miles and the forests were infinite and we could throw a perfect spiral right into the end zone from 50 yards out.

But not, you know, “conservative,” in the actual dictionary meaning of the word. Quite the opposite. In the ecological equivalent of racking up a ledger with China to finance wars and tax cuts, we are spending through the Earth’s yearly resources in 8 months — and that number has steadily shrunk, with Earth Overshoot Day not falling until October in 2000.

Such numbers should maybe shock us into some sort of truly conservative actions. But so should the data on rising average temperatures. In a country in which college students will be paying off credit card debt into their 70s, I imagine we’ll just slide that eco-debt onto the ledger and buy something nice for ourselves.

check out this pair (via technobab.com)

You know what Dungeons & Dragons fans probably get tired of? Just, the persistent air of “cool” that hangs over the game.

You know, when everyone hears D&D and assumes “bad-ass, good-looking loner.” That must get old.

Every Dungeon master tires of being asked, “So, how many varsity sports did you letter in?” Or, “Do you ever get tired of all the sexual intercourse you are having?” You walk into a bar, hoping for a quiet night sharing drinks with friends, then some stranger overhears you discussing mage armor, and now you’re awash in free drinks and romantic propositions.

Listen, people. Just because you imagine adventures in fantasy, swords-and-sorcery realms while rolling 6-sided dice, that does not automatically mean you are a sex god who can’t make it to tonight’s party because you have too many others to go to and because of all your dates.

But finally, someone has done something to nerd up fantasy role-playing games a bit. It’s about time. Blogging for the World Science Festival, Roxanne Palmer writes that casting water-breathing spells can come with the side effect of a basic statistics lesson. That is, to play the game, it helps to understand probability: What are your chances of rolling the 4 you need so that your sword-hit lands on the owlbear, Palmer asks? You find that out fairly simply by adding up the total number of dice outcomes and dividing into that the number that would produce your owlbear-slaying numeral.

Basic probability. And so, a good thing. Few sources of authority are so frequently misused and abused as statistics. Plenty of people say, “It’s true because God said it!” but statistics is a god that can even fool the atheistic scientist, if she’s not careful. It is a malleable and confusing god, with impressive intonations like “standard deviation” and “confidence intervals.”

After all, Mark Twain didn’t say “Lies, damned lies and logical fallacies.” (He probably didn’t say the other thing, either, or at least, did not originate it, but that’s beside the point.)

Playing Dungeons & Dragons may not, by itself, keep you from getting hoodwinked by unscrupulous political pollsters or poorly written pop-science. But it’s a start. And maybe next time a tragically handsome D&D-er saunters into the bar, you’ll mention Bell Curves and significance instead of asking to polish his rad motorcycle.

I can be uncharitable. Suspicious and cynical. So sometimes I think the worst of people’s motivations. That at least partly explains my reaction to social media when celebrities die.

Instinctively, I don’t like what happens. A big-name celebrity passes, and everyone (or so it feels) needs to make a statement on Facebook or Twitter. And here is the (uncharitable) reason why it bothers me: in many cases, these proclamations seem to be more about the person making them than about the person lost. At their worst, they aim to make this event, this death, into an advertisement for the individual speaking.

“I am a person who cares about an actor/writer/singer like this. That is part of my personality, I want you to know. I am connected to this person in this way, and I want everyone to know that.”

The death of a human being, a stranger, comes to serve the same purpose as listing a particular band in your About Me section.

I, of course, can’t prove that this motivates any of the statements people make. But, let’s be honest, a lot of social media is about this sort of personal branding. When that’s applied to a person’s death, I feel gross about it.

No need to tiptoe around it: The obvious prompt for these thoughts was Robin Williams’ recent death by apparent suicide. I don’t mean to paint every social media posting about this extremely troubling death as such a shallow personal brag — or even to say that any of them were entirely all about that. But when the news of a death like this hits Twitter (because that’s where it hits first these days), and people rush to Facebook-post “I remember watching ‘Mrs. Doubtfire'” or to repost a meme someone made with Robin Williams and a quote — at least part of it feels self-serving. And that grosses me out.

I’ve felt that about other celebrity deaths, as well — and have refrained from adding my own post for that reason (also, just because I did not feel impelled to post anything). But Robin Williams is a special case, I think. He was a huge star. A big Hollywood name for decades who starred in films that were huge parts of many people’s childhoods: “Hook,” “Mrs. Doubtfire.” He could exemplify the archetype of the sad clown — veering in his roles and even within his very expressive eyes from manic, comedic joy to what appeared to be, at least, deep sensitivity, if not deep inner sadness.

So, I get why people were affected. I was affected. And I’ve seen several social media posts and articles (and even some memes) with mature, intelligent and touching reflections on the actor’s life and death. Like I said, Robin Williams was a special case. The social media and journalistic response to his death seems to have continued past that initial outpouring of reaction posts into something more meaningful — even what could be a beneficial discussion of depression, and the mystery of what goes on inside another person’s mind, especially the mind of a suicide.

But those initial Facebook posts, by so many people, still bug me. They will probably bug me again the next time a well-known figure dies. But, now that I’ve plumbed the uncharitable side of me that bristles at such posts, let me be more understanding — or, at least, neutrally inquisitive.

Because, I am curious: Why must everyone (or so many, anyway) RUSH to Facebook and share their proclamation on a celebrity death? Why do people feel the need to make a social media statement?

Perhaps it is just because that is how we communicate now. We don’t transmit, one-to-one, we broadcast. In the past, we would still, of course, have discussed Robin Williams’ death. But we would have done it person-to- person. Talking about it on Facebook may happen simply because that is where we talk about everything.

Particularly the big things that everyone hears about.

Social media has so taken over the public sphere that anything that happens in the public sphere –a big event, a political result, a celebrity death — seems, instinctively to us, to happen within social media. It will be reported and discussed on social media; that is where the conversation will take place. So, to not comment on it in the social-media sphere would be to act as if it had not happened. Facebook is the giant room in which we all stand; who are you to ignore the elephant in the middle of it?

I do get that. And I’m no stranger to responding to that new sense of the world. Lord knows, I overuse Facebook and Twitter, too. Lord knows, I’m prone to make some snarky comment about national news because I feel like Twitter is the place to talk about it. Lord knows, I post jokey statuses to Facebook in an effort to garner “likes,” because it feels good to get likes.

But, again. It’s also how we communicate today. This is, frequently, how I interact with old and current friends: I post something I hope they’ll like. I comment on what they’ve said. And this all happens out in the social media courtyard, everyone shouting their conversations for the world to hear.

There was a time I felt weird about that. Writing on people’s Facebook walls, instead of simply emailing them privately, seemed bizarre at first, back in 2006 (!). I didn’t see why people did it. I suspected it was because the wall-message wasn’t really about the person being messaged, but about how the messenger wanted to appear to everyone else. I thought that was a bit icky.

But now I do it. Because it is what people do. And I’ve come to accept that posting on someone’s wall is a way to both communicate with that person and, yes, get some attention from the crowd. Maybe garner some likes. That both are happening at once doesn’t necessarily diminish either. Besides, it’s what everyone does.

I’m sure when people post their reactions to the deaths of Robin Williams and other beloved celebrities, they are similarly multitasking. As I said above, I doubt anyone’s Facebook post about the news was entirely about personal branding. But social media is a weird form of communication. It does double-duty in that way: every post goes out to everyone. You are broadcasting. And so, it is both about whatever you’re saying to one individual and about projecting yourself in front of the millions. To do so, even if only in part, over the death of a fellow human being, and a stranger — I think I’ll continue to feel strange about that.

Something coconut flavored in a big, bowl-shaped glass. The sweet smell of suntan oil and the sweat of attractive young people. A sunset. Coronas with lime. Jimmy Buffet.

A 2-foot-long stick insect crawling up your thigh.

The thing about tropical paradise is that the insects can be insane. Sky-blue water and lush vegetation typically coincide with sci-fi spiders and beetles that dine on small children (I am slightly exaggerating.) “Heaven-on-Earth” is disgusting, people, iswhatimsaying. (I like to imagine the real Heaven, if it exists, as a place where smiling angels and cherubs are constantly swatting at baseball-sized flies and fleeing Mothra.)

I’ve always lived in a cold-weather state (Iowa, New York, Wisconsin). And it’s funny: in the depths of winter, nothing seems as desirable as summer. Going to the lake. Picnics. The Fourth of July. You never imagine the insects. You just don’t think of them. “It will be warm!” your soul breathes. The permafrost will melt, seep back into the cracks in the soil, disappear down the storm drains. You will jog. There will be iced coffee and bike rides. People will get tans on their shins.

And you spend the Fourth of July slapping the back of your neck. “Oh, right. That.” You forget about the streams of ants into your kitchen, the mosquitoes buzzing in your ear just as you doze off, those clouds of little gnats above the sidewalks.

A corresponding thing happens when us frigid Northerners contemplate the tropics, I think. You envision beaches, but you will not be entirely comfortable there. Instead, you will be sticky, and never quite sure if that is sweat dribbling down your leg or a huge bug, like the one you saw in the corner of your cabin and crushed, screaming, with a loafer. Bugs, bugs everywhere. Your week in paradise will turn into a mild meth withdrawal.

But it is another level. The lifelessness of a Wisconsin winter is to the insect-world of a Wisconsin summer, as the insect-world of a Wisconsin summer is to the bugaocalypse of the tropics.

These thoughts on the big-bugged tropics were spurred by the annual Bloomin’ Butterflies exhibit at Madison’s Olbrich Botanical Gardens, where I volunteered this weekend. Dan Capps, a Madison-based amateur entomologist who’s been collecting bugs since 1958, had brought some of his mounted butterflies (and moths). One moth must have had a 6-inch wingspan.

This Mothra came from Mexico. I asked Jeff Capps (the collector’s son, who had dropped by to talk butterfly with visitors) if the big ones usually come from warmer, tropical regions. Because, I mean, that seems right. I know the insects in India were, aside from being ever-present, often big. Huge beetles, that just might show up in your rice (ok, it happened once, but it was scarring.) I’ve heard tales of tropical rainforest spiders, etc.

Some light Internet research confirms that it’s generally the case, for at least a couple reasons. Interestingly, mammals tend to grow bigger in colder climates, because the extra body volume helps them retain heat (and, vice versa, lower surface-area-to-volume helps mammals dissipate heat in surfing country). This is called Bergmann’s rule, after the German biologist who thought it up.

Insects, broadly speaking, violate this rule, however. Since the bugs don’t rely on internal heat, the other advantages of warm-weather climates can help them get big. Cold snaps freeze or kill off the bugs, so insects that celebrate a white Christmas have limited growing periods. Warm-weather bugs can keep pushing right on through the holidays, and they have more abundant food, to keep pumping up those thoraxes.

Another “biological rule” also plays a role: the “island rule,” named after Benjamin Island, founder of Island Records. Just kidding, it’s named for the actual masses of land. The isolated island gives small animals more food, with less competition and fewer predators. Since tropical islands tend to, you know, be islands, this rule can give insects a boost. As this post notes, New Zealand, for example, boasts huge-ass beetles, the weta and other big, gross things.

Of course, nature rarely makes itself amenable to simplifying blog posts, and some insect species grow bigger up north, while microclimate can matter more than latitude.

Still, this guy lives in Thailand. You can get some decent Thai food in Madison, but you’ll never find that thing crawling in it. Thank you, winter.

Question: If you’re going to freeze yourself for an eventual shot at eternal life, are you gonna go with just the head, or the deluxe package that puts your entire mortal coil on ice?

Real people are facing this choice today, as David Casarett reveals in this interview on the developing science of death and revival with the World Science Festival. Cryonics, the, uh, pretty speculative science and technology of cooling people off to preserve them for future medical miracles, has conferences, apparently. And, at one of these conferences, Casarett learned that freezings come in the two varieties: full-body or head-only.

The difference between those choices? $130,000. That is, it’ll cost you $200,000 to freeze all your parts and a (relatively) skint $70,000 to simply ice your dome.

I wonder: who’s choosing the bargain deal here? It’s a long shot that it will work, either way. You’re betting your $70K to $200K on a couple of out-there hypotheticals: A) that future science will be able to revive frozen people and B) in many cases, that future science will be able to heal a deadly disease or disorder that it now can’t. (Many people paying for cyronics do so because current medicine cannot save their lives.)

But cryonics also has a place in the ‘singularity‘ crowd, folks who believe that immortality will become a technological possibility at some point in the future. If you die now, of whatever causes, you’ll miss your shot. So, freeze immediately after death. Save for later. Thaw at room temperature.

Going for the brain-freeze-only strikes me as pretty odd. As of last year, 270 people have had themselves chilled. Two-thirds of the cold folks at cryogenics company Alcor are head (or brain) only, as are half of the American Cryonics Society’s patients (though the group no longer offers the neck-up option).

So there are people — people who think there’s a chance future science can revive them and make them immortal — who said, “Yeah, I’m all for that. But just the head for me.” A good number of the people choosing post-life (and, hopefully, pre-immortality) deep-freeze elect to skim a few bucks off the bill by trashing their appendages, torso and genitals. (People! Do you remember what genitals are used for! It’s awesome!)

I don’t know, I think when you’re aiming at immortality, go for the Venti. You know, get the full-featured package. It’s like when you buy a home or get your first adult apartment — ditch the Ikea stuff that only saves you money in the short-term, and spring for a real wooden cabinet.

I could keep going with the purchasing metaphors. But you get the point. I’m clearly fixating on the cost differential, but I think it’s fascinating. There is a not insignificant difference in money. You could very understandably decide that $70K is your upper-limit on many purchases. And if someone were to offer you an upgrade for nearly three times that amount, it would make a ton of sense to turn it down.

But we’re not talking a normal purchase here. It’s, quite literally and emphatically, not something with a limited lifespan. If you believe that the singularity, technology-based immortality, and all that are a possibility, then we’re talking about purchasing eternity. People had to make economic decisions about eternity. And some chose the discount. That is amazing.

That Wikipedia entry on neuropreservation lists some reasons people have chosen to dump their non-head portions. For one, some say that focusing on preserving the brain is better, because that’s where memory, personality, etc. are stored. Fair enough — you gotta prioritize. (Though, I’m not clear why freezing the whole thing makes the brain-icing of poorer quality.)

But cost is also a big consideration. I understand that $130,000 is nothing to scoff at. I doubt many, if any, of these purchases come from middle-class folks, much less from the poor. I assume they are mostly well-off. I just like to imagine them seeking out this crazy long-shot for immortality, deciding to do it, and then asking for the daily special.

“I will live forever! I will be immortal!” Adjusts glasses, checks out the bill. “Ummm…”

I wonder if there are any people who saved money by freezing only their brains, and then put the difference into a trust fund for their future selves. What if they wake up, it’s the year 3014, and science has discovered how to revive these ancient person-cicles. Then, the heads get put in jars, “Futurama”-style. That trust fund could be worth a lot by then. So heads’ll be rollin’. But, when they look over at their old golfing partner, who’s galavanting around on real-life legs and pitching future-nurses on the butt with his revived fingers — Mr. Head is going to need to buy a reeeaallly nice jar to make himself feel better.

Dick Nixon was before my time, given I came into this world about five months before Ronald Reagan convinced 48 states he wasn’t on the precipice of senility. I was born in 1980, is what I’m trying to say.

So, I don’t have a lot of familiarity with how Tricky Dick spoke, outside of mostly cartoon (or, at least, cartoonish) parodies. I didn’t see him on TV. I didn’t listen to any radio addresses by the Dickster (Secret Service nickname, I’m pretty sure). Still, this Twitter account that brought Richard Nixon into the modern world always read as so…authentic to me.

I was not sure why. The account captures the paranoia, ruthlessness and propensity for cursing that I vaguely knew characterized the man. Here, for example, is something the fake, living Nixon wrote today (Aug. 7):

“He can’t and should not do this, attack our integrity, and by God I’m going to fight the little bastard.”

But more so than that, it’s the turns of phrase. They are unexpected, dripping with individual voice, and poetic in a fascinatingly brutal sort of way. Check out this other one, also from today:

“The press is the enemy. The press is the enemy. Write that on a blackboard a hundred times and never forget it.”

It’s just so particular. “Write that on a blackboard a hundred times and never forget it.” Why a blackboard? Why 100 times? Why the need to punctuate the 100 writings with an admonition never to forget? They are parallel sayings; either would have done. But he hits you with both fists. And with that, “hits you with both fists,” I’m aiming at what Fake Dick does best, I think: Choose something colorful, illustrative — an image or a punchy word instead of just limply saying the thing you’re talking about.

The account reads so clearly like the sayings of a particular person — even if I am not all that familiar with the real-life person being parodied, the particularity rang out clearly. And it’s really a joy to read. It must be a joy to write, too, to speak in the voice of someone who used words so brutally.

I was happy to read, then, this profile today of the account and its author — happy to see, first, that others found the account equally impressive as I did. Happy, second, to see that it actually does sound like Nixon. Unsurprisingly, the man behind the account is a writer, a playwright named Justin Sherin. Somewhat surprisingly, at 33, he’s younger than me. I guess he paid closer attention to historical speeches than I did. Or is just a better writer. Both are likely true. That fellow can write, the little bastard.

Jeff Goldblum looks really charming running from the dinosaur in this wedding photo. He’s not playacting fear; he is clearly aware of being Jeff Goldblum, star of two “Jurassic Park” movies, doing what he was born to do.

Is that it? Is that what’s behind the wry expression and running pose that looks more like the little dapper dance of a slightly older man? Is this just fun, is this just how Jeff Goldblum has fun? Maybe when he gets a high score on a video game (a “Jurassic Park” video game!) or is attending a really excellent concert by his favorite band (Dinosaur Jr? The Byrds?), that is how he looks.

No, there’s more going on there. Look at that face. Look at the angle of his shoulder. He is flirting. He is making sexy face and doing slithery, dance-like running at you with a T. Rex behind him.

See how natural he appears. It’s not just that Jeff Goldblum has previously escaped dinosaurs. It’s that Jeff Goldblum’s best move is to be dinosaur-adjacent. You see, the beast gets your heart pumping; your pupils dilate; suddenly you are aware of yourself as a mortal being, a creature made of edible flesh. You are aware of yourself as a physical creature.

A physical creature with physical needs.

It is then that Jeff Goldblum knows you are his. Every guy has a go-to move. For many, it’s the fake yawn. George Costanza’s dad had “the stop short.” Maybe you speak softly to draw her in for the kiss. Perhaps you merely gaze into her eyes.

For Jeff Goldblum, it is dinosaurs. “Jeff,” you say, as the two of you walk along the beach of a tropical island owned by an eccentric rich man, “this has been such a perfect night.”

“Just wait,” Jeff Goldblum says, and looks to the puddle in the road, now rippling in concentric circles. “Just wait.”

“Science vs. religion” is sort of a big topic. That could refer to a lot of things. It could mean an individual choosing between a philosophy reliant on evidence and an outlook rooted in faith. It might mean Georgia Tech vs. Notre Dame on a fall Saturday.

In this excellent post on evolution over over at Salon (via AlterNet), Greta Christina is not talking about the Yellow Jackets taking on the Fightin’ Irish. But the broad “science vs. religion” in the headline has about the nuance of a football broadcast. Christina’s actually talking about a specific religious response to a specific scientific theory: She takes on those progressive Christians who seek to maintain a belief in God while allowing that evolutionary theory mostly gets the whole “how we got here” thing right.

Their position sounds reasonable, especially if you’re used to believers who discount evolution entirely and say things like this. But Christina’s not having the accommodationism. She presents a number of excellent reasons why God is not necessary for evolutionary theory to work. And I think the version of the “evolution-but-now-with-more-God” viewpoint that sees a supernatural deity tinkering with evolution from time to time is pretty weak. It’s an easy take-down. A universe governed by natural laws that just needs the rare supernatural goosing should really just fall under Occam’s razor, anyway.

But Christina makes no quarter for those who believe in an even more distantly involved God, either. Maybe it just works like this, the faithful but reasonable, say: God sets up the watchworks at the beginning, then the universe runs, a steady little machine, and evolution is a part of this mechanism. I don’t have a big problem with that point of view. It, of course, takes God so completely out of the picture, that he’s basically unnecessary. But is there any harm in that belief?

Christina thinks it’s still wrongheaded. Why? Because, she argues in part, look at the brutality of evolution: most organisms die, and often painfully, in a struggle to survive just long enough to reproduce. This, historically, happened to most humans, and continues to happen to a great many. How, Christina asks, could a caring God who loves us set up such a cruel system?

So, at least for this part of Christina’s argument, it becomes the familiar “problem of evil”: How could a god who is both all-powerful and good let bad things happen? There’s a long line of philosophical and religious argument over this, but it’s sort of weird to see it used here. Christina is presenting scientific evidence — and then gets into a theological argument that predates Darwin. Clearly Christina is attacking a very particular conception of God: the fatherly, magic man in the sky. She even uses the term “magical creator god” several times. That’s why she concerns herself with disproving, specifically, a morally good father figure.

There are definitely people who believe in such a god. But are they the same people accommodating evolution to their faith? It’s a very simplistic conception of God, “the magical creator in the clouds,” and it’s a bit unfair that Christina assumes this is the only option. She basically dismisses any more complicated or abstract notion of god by calling it deism. So, your choices, according to Christina are: atheism, Sunday morning cartoon God, or deism.

What about a God who is more mysterious than that, who cannot be reduced to a human-sized caricature? A God who cannot be logically understood, but who nevertheless has a relationship with existence? I get that this perhaps abstracts things into a hooey that doesn’t end up meaning anything. But I also think the “magic man in the sky” conception is an easy target. And a very specific one.

It’s the one Christina chose to wrangle, though, and she does it with some really interesting and accessible science. It’s certainly not the end-all on “science vs. religion,” though.